I’d say there’s a big change in sound from Cinematic Strings, with a rounder, fuller, more even, consistent and blended sound (with less high end and yet at times less boomy). close, stage, room, or full mix blend of the other three in the earlier Cinematic Strings library), the change of venue (from concert hall to Trackdown, an Australian scoring stage) and performers has definitely made a difference.
While there are still similar mic positions (close, main, room, or full mix blend of the other three vs. Do they succeed? Read on to find out.įirst of all, the sound is really good – as in much better than I had any reason to expect. At the same time, they also aim to drastically expand the flexibility and articulations and flexibility of the library. They feature a different sound and recording style but aim to build upon the speed and ease of use that were such a big selling point for their earlier libraries. Two competitively priced string libraries, one of ensemble players and the other of solo players have more than their attractive price going for them.Ĭinematic Studio Strings and Cinematic Studio Solo Strings ($399 USD and $299 USD respectively at ) are two new libraries from the makers of Cinematic Strings (which I reviewed for SoundBytes in 2014).
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